![]() The ability to define a UI and OSC messages to suityourselfis a powerful option so I’d encourage exploring TouchOSC andgettingfamiliarwith what it can do with Renoise. I’ve also written a simple Android app to provide a flexible OSC controller. Yamaha released the Reface Mobile Mini Keyboards at. The downside is that it’s a bit flakey and (as best I can tell) notactivelymaintained. Master Layout Designer Ibo Kai brings us his Complete Editor, a Platinum Layout, for the Yamaha reface DX. I prefer it to TouchOSC because it gives better control over definfin OSC address patterns. I’ve gotten great use out of Control ( ) by creating my own screens. 1.6.3 - Support for iTunes File Sharing: Layouts can now be managed via the USB-cable connection using iTunes - Basic multi-tasking support - Multiple controls with the same custom OSC address now receive the same message - ControlPush and ControlToggle now turn on for any received value greater than zero - Added z message sending to all. One of the nice things about TouchOSC is that you can create your own control surfaces (in contrast to physical hardware, unless you build your own). But also believe that often you don’t know the value of something until you’ve played around with it. OTOH, if you don’t already see how something is supposed to fit into your recording/composing/performance routine then there may be little reason to pursue it. I can’t say if you’re headed to controller overload. ![]() That should give you an idea of one way to get rolling with TouchOSC, and perhaps see how to change things to suit you interests. Touch OSC offers a level of customization which requires an intermediate-advanced knowledge of both the software and MIDI/OSC (Open Sound Control) protocols. There’s an xRules example that you should be able to play around with right away:
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